Category Archives: YA

Girls & Monsters Blog Tour & Skellies

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Dear reader, the time is *almost* upon us for the Girls & Monsters Blog Tour ♥ Starting on March the 25th and ending on April 30th on releaseday, I’ll be visiting 28 blogs. At each stop, not only will you discover something new about the stories and/or me, but also about my wonderfully generous hosts ranging from reviewers, authors, bloggers, YA and horror fans all alike.

photo 5To celebrate my debut collection of novelettes, I have been hard at work on a special Skellies set representing each monsters of the stories. Handmade in felt, *you* dear reader, have the chance to own your very own killer mermaid, heartless neighbor, bone to tame your own Black Dog, Bunny the spider and a bone-broken zombie. The contest will run during the tour with chances to win Girls & Monsters softcovers as well.

Now, if you just cannot wait for the release day to get your very own copy, there’s always the Goodreads giveaway with an extravageant 10 chances to win ♥


Girls & Monsters’ Peekaboo

A giant spider, a killer mermaid, a mad neighbor, zombies and a very dark soul – monsters, everywhere. Wanna see what girls can do to them? Check out my collection of 5 dark novelettes. Here’s a peek at DEATH SONG…

girls&monstersSomething catches in the back of my throat. I hide my face in my hands to quiet the sobs. But then, something ain’t right. Air moves around me and I stop. I look between my fingers, but the blur of my tears thickens everything: the bathtub, the towels, and someone on the floor.
A woman’s in here with me, door still closed and locked. An exhale, like after a deep swim, and a smell, like the swamp close to my empty home. A chill runs down my back, I wipe my eyes, rub and scratch them to see more clearly. And I do.
Two gray hands scratch the floor tiles, nails green with algae, putrid flesh sagging on her legs, arms and torso, hair so long and wet and heavy, it drags her down. Diluted, impossible to focus on, like little waves rippling over her body from head to foot, seaweed in the water. Scales and fins, mermaidlike, little knives, those are. And they scrape the floor, like a fork on a plate. It’s her—Limnade.

She opens her mouth of scissor-teeth and the rotten smell of fish wraps around my throat like two hands trying to choke me. “You can’t be…” I don’t finish my breathless thought and jump backward, knocking over the dish of decorative soaps. Blurry waves, vision impaired, out of focus, unreal. She crawls toward me, eyes unblinking, lethal, hands inches from me: my legs refuse to move, as my body feels like stone. Frozen, hypnotized, a statue. Then I hear something coming from within her…
A melody, reminding me of something lost, tickles my ears. It drags on until the sweetness turns sickly, vibrating into a full-on super-scream, hyenalike, enough to pop my ears and make them bleed. Her large mouth deforms her face into one gap of black, the cry so high and strident, I scream from the pain.
Limnade stares at me, everything but her fades away—Jo’s nice bathroom, Jo’s new life, Jo himself, none of it matters anymore. Her fingers brush my forehead, they’re cold and sticky like clams. And I let the darkness take me away.

Goodreads


Chatting with… Rosanne Rivers

This week is a double treat: interview + cover reveal of Rosanne Rivers, a debut YA author!

After the Fear

In Sola’s city, everyone obeys the rules. Stay away from the trigger cameras and regularly update your Debtbook, and you just might survive. But having to watch the way criminals are dealt with—murdered by Demonstrators in the Stadium—is a law Sola tries to avoid. When a charming Demonstrator kisses her at a party, however, she’s thrust into the Stadium and forced into the very role she despises.

Armed with only natural resourcefulness and a caring nature, Sola narrowly survives her first bout. Her small success means she’s whisked off to a training camp, where she discovers a world beyond the trigger cameras and monitoring—a world where falling in love with a killer doesn’t seem so terrible.

Yet life as a Demonstrator has no peace. Sola must train her way through twenty-five more Demonstrations before she can return home to her father. At the end of each battle, only one survivor remains.

Sola could face anyone in the Stadium . . . even a loved one.

Ladies and gents, here’s Rosanne Rivers.

RR: Hi!

What’s your book about and where did you get the idea for it?

RR: Well the book is set in England in the year 2099, where Roman-style gladiatorial battles are the government’s way of raising money to pay off the nation’s enormous monetary Debt. It follows Sola as she trains to become one of the top fighters (Demonstrators) in England, falls in love, discovers unlikely secrets and deals with the oppressive society she lives in.

As mundane as it sounds, I actually got the idea from the huge deficit England has at the moment! Politicians are always going on about it over here. I liked the idea that when you’re born, you’re already born with a personal debt that you can be called upon at any time to pay off. When it came to how someone was going to pay this off, I looked to football. There’s so much money in it, it’s crazy. No matter how much debt we’re in, we’ll always find a way of spending money on the things we like. So I made football matches into Roman-style one-on-one battles, and in my book that’s the hobby which everyone loves and is willing to spend money on.

For the rest of the society, (trigger cameras/ a mandatory social networking site called Debtbook etc) I just looked at the world we already live in. When I started writing, the government in England were talking about introducing cameras which activate when they hear certain ‘trigger’ words. And then there’s Facebook, which fits so perfectly into a dystopian world that it’s scary! Every element in my book is from something which I could see happening in the future, but sometimes it’s an augmented version.

Love this – you actually pluck inspiration from actual events…oh so scary, we’re this close to a dystopian world coming to life, me thinks.

My favorite movies/books have always been dystopian: 1984, Blade Runner, Brazil, Hunger Games trilogy…which stories would you consider your favorite and how did they play in your own writing for this book?

RR: Yeah it is a bit scary . . . yet so much fun to write about!

Oh I haven’t read Blade Runner or Brazil, I’ll have to check them out! My favourite dystopian books have to be The Hunger Games, The Handmaid’s Tale and Delirium, (with Inside Out and Uglies coming in very close, too!). I’m a bit slow to the game but I’ve just start reading Divergent, which is awesome. I think the dystopian trend certainly gave me the confidence to write and finish this book. Before The Hunger Games, I would have worried that no one wanted to read about a killer teenager! Once I had the idea, a lot of my inspiration came from history books and tales of gladiators. The camp in ATF is very much based on a Roman ludus, with lots of the training techniques being adapted versions of those used by gladiators.

Cool beans, bringing in History into your books…which makes me wonder, what’s your next project? Will you stay in the futuristic genre or jump trains?

RR: I’m so glad you asked. I’m just in the research and plotting stage of my next book . . . It’s a YA fantasy following a young woman who is part of an all-female organised crime gang. So it’s a detour from the futuristic genre, but there will still be lots of fighting. This time though, I’m hoping to get the reader on side with the ‘baddies’, because let’s face it, we all have a dark side!

Rosanne lives in Birmingham, UK and considers it one of her favourite cities, second only to Rome. She delights in writing for children and young adults and hopes to bring readers to an unfamiliar yet alluring setting. Rosanne was inspired to write when she read the Harry Potter books, and at age fourteen, she wrote romance fanfiction on just about every pairing you could dream up from the HP series.

She blogs, she tweets, she has a Facebook page, and so does her book – don’t miss out and subscribe to be notified about After the Fear


Don’t Fear Michelle Muto’s Reaper…

I’ve meet her through an online writing group, this girl who writes about death and magic. So I thought you lot would *love* to learn a little bit more about the book that got Michelle on Amazon’s number two spot last Halloween: Don’t Fear the Reaper.

Haunted by memories of her murdered twin, Keely Morrison is convinced suicide is her only ticket to eternal peace. But in death, she discovers the afterlife is nothing like she expected. Instead of peaceful oblivion or a joyful reunion with her sister, Keely is trapped in a netherworld on Earth with only a bounty-hunting reaper and a sarcastic demon to show her the ropes.

When the demon offers Keely her ultimate temptation–revenge on her sister’s killer–she must determine who she can trust. Because, as Keely soon learns, the reaper and demon have been keeping secrets and she fears the worst is true–that her every decision changes how, and with whom, she spends eternity.

And now, a belated Halloween treat – the book’s first chapter…

First Chapter:

Even though I walk through the valley of the shadow of death, I shall fear no evil, for they are with me.

I repeated my version of the psalm as I watched the ribbon of blood drift from my wrist. I’d hoped it would be a distraction—something to stop me from wondering what my sister’s dying thoughts had been. Exhaling slowly, I let the emptiness consume me.

Jordan had kept my secrets and I had kept hers. In the end, it came down to just one secret between us that took her life. Now, it would take mine. I should have said something, but nothing I said or did now could bring her back or make anyone understand what she meant to me.

Are you here, Jordan? Are you with me? Tell me about heaven…

I told myself Jordan was gone, never coming back, but her memories continued to haunt me. I had no idea if there even was an afterlife. If God existed, I was convinced he had given up on me. Not once did I sense he’d heard a single one of my prayers. I wasn’t asking for the world—I only wanted to know if my sister was safe and at peace. What was so hard about that?

She should still be here. It wasn’t fair.

I’d been the difficult one—much more than Jordan. For a while, I’d even gotten into drugs. Mom and Dad had worried I’d get Jordan into drugs, too. But I wouldn’t. Not ever. Besides, that part of my life had been over long before Jordan’s death. A small gargoyle tattoo on my left shoulder was all that remained of my previous lifestyle.

Mom and Dad started treating me differently after Jordan’s funeral two months ago. She and I were twins, so I understood how hard it was for them to look at me and not see her. Sometimes, they wouldn’t look at me at all. Mom went to the psychiatrist, but no one asked if I needed to talk to someone about what happened. No one asked if I needed sleeping pills or antidepressants. Yeah, sure. Don’t give the former addict pills of any sort.

Not one person saw the all-consuming suffering that gnawed at my soul. Why couldn’t anyone see? Jordan had been more than my sister—she’d been my Samson, my strength. I would have done anything for her, and yet, I’d failed her. I wasn’t the one who’d killed her, but I might as well have been. How could I ever live with that? My heart had a stillness to it since her death.

I shall fear no evil.

I couldn’t very well recite the first part of Psalm 23 because it said I shall not want, and I did want. I wanted to go back in time. I wanted my sister back. Clearly, goodness and mercy were never going to be part of my life ever again. In my mind, I saw myself walking through the iron gates of hell with demons cackling gleefully all around.

I didn’t want to die. Not really. I was just tired and didn’t know of another way to stop the pain. Doctors removed a bad appendix. Dentists pulled rotten teeth. What was I supposed to do when my very essence hurt, when the cancer I’d come to call depression made every decent memory agonizingly unbearable?

Before I’d gotten down to cutting my wrist (I managed to only cut one), I’d taken a few swigs of Dad’s tequila—the good kind he kept in the basement freezer. I’d used another swig or two to chase down the remainder of Mom’s sleeping pills in the event I failed to hit an artery or vein. Then I’d set the bottle on the ledge of the tub in case I needed further liquid encouragement. Instead of using a knife or a razor, I attached a cutting blade to my Dad’s Dremel. The Dremel was faster, I reasoned. More efficient.

It would have been easier to OD, I suppose. But I felt closer to my sister this way, to suffer as she’d suffered.

I recited the line from Psalms 23 again. It had become my personal mantra.

The words resonated in my parents’ oversized bathroom. I’d chosen theirs because the Jacuzzi tub was larger than the tub in the hall bathroom. Jordan and I used to take bubble baths together in this same tub when we were little.

Innocence felt like a lifetime ago. I searched the bathroom for bubble bath but came up short. Soap might have made the laceration hurt more so it was probably just as well. Besides, the crimson streaming from my wrist like watercolor on silk was oddly mesmerizing.

The loneliness inside proved unrelenting, and the line from the psalms made me feel better. I prayed for the agony inside me to stop. I argued with God. Pleaded. But after all was said and done, I just wanted the darkness to call me home.

I tried not to think of who would find my body or who’d read the note I’d left. I blamed myself not only for failing Jordan, but for failing my parents, too.

My lifeline to this existence continued to bleed out into the warm water. Killing myself had been harder than I’d imagined. I hadn’t anticipated the searing fire racing through my veins. I reached for the tequila with my good arm but couldn’t quite manage. Tears welled in my eyes.

Part of me foolishly felt Jordan was here. The other part feared she wasn’t.

Give me a sign, Sis. Just one.

I imagined seeing my parents at my funeral—their gaunt faces, red-eyed and sleepless. How could I do this to them? Wasn’t the devastation of losing one child enough?

No. Stop. A voice in my head screamed. Don’t do this. Don’t. Please…

I shifted my body, attempted to get my uncooperative legs under me. I could see the phone on my parents’ nightstand. I could make it that far. Had to. The voice was right. I didn’t want to do this. I felt disorientated, dizzy. Darkness crept along the edges of my vision. Focusing became difficult. A sweeping shadow of black caught my attention. Someone stood in the bathroom—not my sister. A man. Had I managed to call 911? I couldn’t remember getting out of the tub. And why’d I get back in? Did I use a towel?

Mom is going to be pissed when she sees the blood I’ve tracked all over the bedroom carpet.

“I’m sorry,” I told the man in black.

“It’s okay, Keely. Don’t be afraid.” Not my father’s voice. It was softer, with a hint of sorrow. Distant. Fleeting. Later, I’d feel embarrassed about this, but for now I was safe from the nothing I’d almost become. My teeth clattered from the chill. My eyelids fluttered in time with my breaths. The tub water had turned the color of port wine. The ribbons, the pretty, red watercolor ribbons were gone.

Dull gray clouded my sight.

A voice whispered to me, and my consciousness floated to the surface again.

“—okay, Keely.”

Cold. So cold.

“I’m right here.”

There was no fear in me as the man bent forward, his face inches from mine. He was my father’s age, and yet strangely older. His eyes were so…blue, almost iridescent. The irises were rimmed in a fine line of black, and the creases etched at the corners reminded me of sunbeams as he gave me a weak smile. The oddly. Dressed. Paramedic. A warm hand reached into the water and cradled mine. My fingers clutched his. I sighed, feeling myself floating, drifting. Light—high and intense exploded before me. No! Too much. Too much! I shuddered and labored to catch my breath, but it wouldn’t come.

Finally, the comfort of darkness rose to greet me.

Don’t forget to buy the book, visit Michelle’s blog, and follow her on Twitter and Facebook🙂

Amazon US

Amazon UK

B&N

iTunes


Drum-roll, please…

I fell in love with writing in my tiny flat in Zone 2, London. It was a freezing cold night, a draft came from the single-glazed bay window of that old Edwardian front room I called my home, my fingers danced on the keyboard as words flew out, when I realized: I wouldn’t be doing anything else, right now.

Then came the Master’s in screenwriting diploma a year later. When people asked if anything happened with the scripts I’d been writing,  I replied of course not, I knew no one in Montreal, had been gone too long, lost touch, etc. So, during the two next years, I made my own short films: produced, directed, wrote – and hated it. They never were as good as what I had written, even if they were distributed and sold to TV.

Novels, I told myself. I’ll write novels, get them published, and be happy – but agents got in the way. Five years, seven projects, and about 500 rejection letters later, I still haven’t found one. Oh, I’ve gotten advice and cheers and encouragement, some said my writing was beautiful, I knew how to build up a scene, they admired me and loved my work…but no one wanted to represent me.

What is a girl to do? How do I get published without waiting another year or two to get an agent, then the rewrites, then the submission to publishing houses? Well, I sent my query to the best small publishers my research provided…

AND GIRLS & MONSTERS IS GETTING PUBLISHED BY DARKFUSE IN 2013!!!

Cheers to you all, I’m having a drink right this moment 🙂 I never thought *this* could happen that fast.

Oh, what is Girls & Monsters, you ask? It’s a collection of 5 novelettes about, well, girls and monsters. It’s dark, gloomy, aimed at the young-adult/new-adult gap, it’s scary and funny and I’m in love with each of my characters and their monsters – because don’t be fooled, we all have one waiting in the dark…

Happy Goth dance♥


Hiatus

I’m alive, but writing about the dead.

Robert Smith, Pornography written all over him

I’m obsessed with my new project about two brothers looking for their missing father in the north, filled with wild snow and vengeful ghosts. So I’m trapped  until I put an end to Hunter’s Trap.

Meanwhile, here’s some eye candy. That Mary Poole is one lucky lady♥


Chatting with Lisa Forget

I’ve been meeting such great people from around the world on Kelley Armstrong’s forum, that when I learned that Lisa Forget lived close to me, I almost didn’t believe it! This gal is a well-rounded artist, and with her new short story available at MuseItUp Publishing, she’s now a published author, too.

 

Me: You’ve kept your approach to romantic vampirism fresh even if it sometimes feel like it’s all been said and done in that genre. What/who inspired Deathly Quiet?

 Lisa Forget: First, I want to thank you Anne for inviting me to chat. I’m thrilled you feel my little dark tale might offer something fresh for those who enjoy this genre.

Although, I’ve always loved stories about vampires – especially written in the gothic style – I never intended to write one.

Deathly Quiet was inspired by a little street in Montreal, near where I grew up. Just like Moira, it always intrigued and frightened me and as a child I was convinced the houses on the street were haunted. When I grew up I often drove by Sebastopol street just to soak up the ambiance and to watch the Caleche drivers tend the horses in the stables that exist there even today. One night, after driving through that part of town, I set my mind to writing a dark tale about an young woman coming face to face with terror. Writing the story “by the seat of my pants” I started with a young Irish girl named Moira, a creepy street named Sebastopol Row, an inky-black crow and a pool of dripping blood and let the words flow. The moment I penned the stranger stepping out of the shadows – he bared his teeth at me. That’s when I knew he was a vampire. Perhaps my deep-rooted feelings about the street, the stables, the houses, coloured my story and my love of the gothic style decided my traditional treatment of him. In a way it was as though one of my childhood nightmares had come to life.

Me: Loving this – I do the same, Iinspire myself from what surrounds me, and then of course I twist it into my own darkness. When you write, do you need to be in a frame of mind? Do you put music on? Does it influence your writing?

Lisa Forget: Usually, I only sit down to pen a story if I’m in the right mood. The only time I “force” myself is if I’m doing NaNoWriMo or editing. However, sometimes I do put on music to heighten creativity right before I sit down at the computer. I usually turn the music off once I begin typing. Yes, I’d say music does influence my writing. Three bands who get my creative juices flowing are Hedley, Coldplay and Muse. Their music and lyrics touch me and spark ideas.

Me: What are you future writing plans? Other paranormal short stories in the works? Or maybe a novel?

Lisa Forget: At the moment, I’m awaiting the first edits from my publisher for a YA short story entitled “Leapling”It’s slated for February 2012. And, I’m writing some dark shorts for a project I’m collaborating on with Pat Hollett and Tammy Crosby – an anthology called “Bleeding Ink – a collection of Dark Tales.” We’re compiling a collection of creative and dark stories from talented writers like you Anne….hint, hint.

My plan is to finish the stories I started…. LOL! I have several. What I’m presently working on is “The Guardian of Secrets” – a paranormal romance. I’m also editing two completed novels, “The Powers Within” (YA) and “Love Eternal” another paranormal romance. “Love Eternal” was the very first writing project I completed a few years ago based on a 5th century Welsh legend. Once I’m done the edits I plan to submit the stories to my publisher. Hopefully they’ll like them and I’ll have reason to write a sequel to Powers and finish the sequel to Eternal!

Deathly Quiet is a hauting tale of love and regret, get it now


The City of Hell bugs are on the loose!

The day has come: the horror anthology City of Hell has launched, and everyone can finally be scared out of their wits. I’ve never been part of a project getting so many good reviews before, so I’ll just say this – buy it.

Paperback

Kindle

I didn’t feel like posting a Fridayflash this week, instead here are the very first words that will appear in Wild Swan. Not a prologue per se, more like a poetic warning about the book. Ready? Go!

Fire, Let It Burn

Fire, See How It Feels

Forthcoming Fire

You like? Me too. It’s totally copyrighted, so don’t even try.